Primary Music Theory
  Two octave figures
  Scales
  Triads
Diatonic seventh chords
  Pentatonic
   Three octave figures
Scales
   Triads
  Diatonic seventh
  Pentatonic

 
 
In this part three and two octave basic scales with fingerings (viewed in the Introduction) are given. Except of the Diminished scale viewed in the part "Non-diatonic scales and chords". The diminished triad is examined in more details in the same part.
Pay strict attention to the given exercises.
Firstly you have to learn the first exercise as it is noted in eighth duplets, then learn the second exercise in eighth triplets. Having mastered these two exercises separately, combine these in one and play with a metronome. This approach will help to form a true feeling of the rhythmic temperament.
The red arrow shows the direction of the movement of a fingering. The green line separates an ascending fingering from the descending one.
  Two octave major scale
  Two octave minor scale
   Two octave major triad arpeggio
   Two octave minor triad arpeggio
Two octave major seventh chord arpeggio
  Two octave minor seventh chord arpeggio
   Two octave major seventh chord arpeggio (dominant seventh chord)
  Two octave half diminished chord arpeggio
  Two octave major pentatonic scale
  Two octave minor pentatonic scale
  Three octave major scale
  Three octave minor scale
  Three octave major triad arpeggio
   Three octave minor triad arpeggio
  Three octave arpeggios big major seventh
  Three octave arpeggios small minor seventh
  Three octave arpeggios small major seventh (dominant seventh)
  Three octave major pentatonic scale
   Three octave minor pentatonic scale
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Theory
Two and three octave figures