Two superpositions are very distinctly visible on the five string bass. The below represented exercises are built on their basis. These exercises use the same basic figures (triads, seventh chords), which are performed in octaves. Visually they look the same in every octave. Superposition figures, with one shift of the position, cover two octaves exactly on the five string bass. The importance of these exercises can hardly be overestimated. Working on these exercises, it is very important to look carefully at given fingerings and perform these equally all the time, without changing of fingerings. Such performance will lead to the so-called "ear automatics". On the five string bass the first superposition begins from the lowest B string and the second - from the E string. For example, for the G major key the first superposition begins from the G note, based on the eighth fret on the B string, the second superposition begins from the G note, based on the third fret on the E string. All pictures represent ascending and descending fingerings, red arrows show the direction of the movement. Every figure is presented through two exercises - duplet and triplet. Pay attention that the fingering doesn't change while performing both exercises.